Anthologies

Another South: Experimental Writing in the South by Bill Lavender

By Bill Lavender

Another South is an anthology of poetry from modern southern writers who're operating in varieties which are radical, cutting edge, and visionary. hugely experimental and hard in nature, the poetry during this quantity, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the course of a brand new breed of southern writing that's without delay common in its charm and neighborhood in its flavor.
 
Focusing on poets at the moment dwelling within the South, the anthology comprises either rising and proven voices within the nationwide and foreign literary international. From the invocations of Andy Young's "Vodou Headwashing rite" to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the various voicings of )ohn Lowther and Kalamu ya Salaam to the visible, multi-genre artwork of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is wealthy in style and enthusiastic in its explorations of latest how one can embrace position and time. those writers have made the South lush with a poetic avant-garde all its personal, not just redefining southern id and voice but additionally supplying new types of what's attainable universally throughout the medium of poetry.
 
Hank Lazer's introductory essay approximately "Kudzu textuality" contextualizes the paintings by way of those modern innovators. just like the uncontrollable runaway vine that entwines the southern panorama, their poems are hyperfertile, stretching their roots and shoots relentlessly, right now harmful and regenerative. In creating a radical departure from nostalgic southern literary voices, those poems of polyvocal abundance are nearer in spirit to "speaking in tongues" or apocalyptic southern people art—primitive, miraculous, and mystic.

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Even after your annihilation, You are reading copyrighted material published by the University of Alabama Press. S. Copyright law is illegal and injures the author and publisher. For permission to reuse this work, contact the University of Alabama Press. 6 Ralph Adamo any man would fall in love with you and, seeing what he had done, weep, lost for all time in the power of the woman who speaks. And the world goes on with its ending Desire=meaning Souls grapple in catharsis In the holy warmth of your body I renounce sleep I embrace the exile at the center of your heart the woman clothed by the sun the ecstatic now between silence and speech the moist nature of light that sweetens us * How I desired to hear you!

It was given to me by the barefooted goddess of dice in the space of a kiss whose smile tastes like whatever desires you most. there is no escape. being amused will haunt you forever, as am I, from having survived this wasted body, and for having loved more than I could. Proscenium Moon in memory where sleep is perfect and more terrible than air the heart has its own weather I find odd hours glowing treasures to nest sit on the levee with Paul & Beth listen to the river swim by in ships working gears consider the possibility of heaven mixed with wine from down here how no sun shapes a dazzling bright how Beth says the stars are making triangles we tilt our heads back like at the movies and watch spacejunk falling out of the sky I think of womb and my dream of giving birth to a child smeared with excrement and barely breathing and how everything beneath my skin only lives and barely lives a box of no roses stammering alphabets eyes poured out like stones You are reading copyrighted material published by the University of Alabama Press.

Just as he did this he was struck with the certainty of what he must do. Amidst his bewilderment he wondered where this certainty came from, but it was there, compelling him, offering no other option. Then he returned to the table, pulled out the chair and sat down. He took up the pen, turned toward the You are reading copyrighted material published by the University of Alabama Press. S. Copyright law is illegal and injures the author and publisher. For permission to reuse this work, contact the University of Alabama Press.

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