999: New Stories of Horror and Suspense by Al Sarrantonio

By Al Sarrantonio

The weaving of fictional suspense and terror is as historic as humankind itself. yet the place does this age-old culture stand on the cusp of a brand new decade, a brand new century, a brand new millennium? This massive quantity seeks to reply to that question. Your carry on your arms the cutting-edge -- of fear.To organize this groundbreaking anthology, author and editor Al Sarrantonio challenged a unusual roster of authors to illustrate with all-new tales the form of horror/suspense literature as we input the twenty-first century. As you'll learn the twenty-nine individuals replied through exhibiting the endless type that is the very hallmark of this box. a few of these tales will startle you or fill you with terror. a few will hang-out you lengthy once you end analyzing them. there's even an eerily echoing chortle or stumbled on inside of. yet jointly, those most unearthly of stories subscribe to to shape a very good literary mosaic, a shiny modern portrait of a style that's proud, powerful, and irresistible.Not merely is that this the most important anthology of unique horror/suspense fiction of all time -- now not one tale in 999 has ever been released ahead of -- however it is additionally the best. here's a significant publishing occasion with an angle: to shake you up and scare you foolish.

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Extra resources for 999: New Stories of Horror and Suspense

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While an occasional story by Stephen King or Joyce Carol Oates might appear in one of the slick literary magazines like The New Yorker, these are aberrations, more a consequence of their authors’ prominence and individual talent than a widening of the genre’s influence. Despite the continuing success of a few semiprofessional magazines, the most prominent of which remains Richard Chizmar’s Cemetery Dance, there is, today, almost no place where well-written horror stories are allowed to appear with regularity.

Director Kozintsev was concerned for his precious monk and probed urgently under the cloth for damage. Valentina was annoyed by the loss of her specimen but kept her tongue still, especially when her surviving Amerikan turned nasty. The dead man barged out of the cubicle, shouldering partitions apart, wading through gurneys and tables, roaring and slavering. Tarkhanov, incongruous in a silk dressing gown, got in the way and sustained a nasty bite. Toulbeyev dealt with the Amerikan, tripping him with an ax handle, then straddling his chest and pounding a chisel into the bridge of his nose.

Tarkhanov, countered that her theories were a blind alley. In his opinion, the Spa should concentrate on the isolation of the bacteriological agent responsible for the reanimations with a view to the development of a serum cure. Tarkhanov, a Party member, also insisted the phenomenon had been created artificially by American genetic engineers. He complained the monster-makers of the United States were so heavily financed by capitalist cartels that this state-backed bureaucracy could hardly compete.

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